Brightside” cover, Judah commented how much the guys love playing in North Carolina. This icebreaker was performed early in the set, and if the hoots and hollers traveling from the pit all the way to the lawn were anything to go by, Charlotte loved Judah & the Lion as much as they loved us.Īfter throwing in “Reputation,” “Going to Mars,” and “Conversations,” as well as a noteworthy “Mir. Sure, their music shatters the ceiling of what alt-rock is, and the spastic movements of frontman Judah Akers will hype up even the stiffest of audience members, but I can’t help but think that their legendary cover of T-Pain’s “Booty Wurk” has some sort of effect on the crowd’s love for the band. Bleached hair, trucker hats, and metal-esque long hair defined Judah & the Lion as unpredictable, and their set solidified my earlier accusation of the band belonging on every bill. Sure steps brought them to their respective spots, and the subtle synth progression of their latest single “Suit And Jacket” filled the open air as the four piece settled, each with their own personal trademarks. Judah & the Lion walked on stage with conviction, unwavered by their task of winning over the outdoor arena. had the tie-dye clad concert-goers swaying arms in no time. The crowd that Incubus drew in didn’t seem to know who this folk pop band was, but Judah & co. Taking on the opening slot was Nashville’s Judah & the Lion, who are known for putting on one hell of a show. The three vastly different yet equally noteworthy bands took over Charlotte’s PNC music pavilion on July 11th. Incubus returned to the Carolinas after two long years, and all we can say is, “Finally!” Thankfully for us, and perhaps other alt-rock fans, they brought along emo gods Jimmy Eat World and up-and-comers Judah & the Lion to help them galavant across the country, promoting their latest album, 8. Incubus made PNC music pavilion feel intimate
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